[...] as a starting point, I decomposed the poem by Dylan Thomas "Do not go gentle into that good night" using his own voice as a unique sonic imprint / verses are scattered to reflect the chaotic or rather syncopated apprehension of reality / verses are also moved away from each other with compositions in between as a metaphor of days that stand between impulses, realization, and integration of an experience as such / on the far end, I am yearning for a dramaturgical balance in the poetry fragments from the Bell Jar by beloved Sylvia Plath / the final poetical narrative is in my mother tongue and speaks about the struggle of a woman in an oppressive and discriminatory society.