5 Dec 2020

Do Not Go Gentle


>>> 20 pieces 20 seconds long <<< 

[...] as a starting point, I decomposed the poem by Dylan Thomas "Do not go gentle into that good night" using his own voice as a unique sonic imprint / verses are scattered to reflect the chaotic or rather syncopated apprehension of reality / verses are also moved away from each other with compositions in between as a metaphor of days that stand between impulses, realization, and integration of an experience as such / on the far end, I am yearning for a dramaturgical balance in the poetry fragments from the Bell Jar by beloved Sylvia Plath / the final poetical narrative is in my mother tongue and speaks about the struggle of a woman in an oppressive and discriminatory society.

1 Dec 2020

Starfish & the sonic tonalities


The storytelling starts with an old vinyl crackling of the Wind Quintet by Ljubica Marić, and develops into anthropogenic anarchy of below and above Adriatic sea noise pollution. Many of the hydrophone sounds should be credited to shrimps, crabs, and fish from the Korčula archipelago. 

The fabulous cover is made by Vukadinn Filipović, it is a portrait of Janja Bilbija.

The last track is the filed recording of a small rock barrier at the St. Nikola's Monastery, which is situated at the edge of the Korčula town. The Monastery was built around 1505, with additional buildings added in the reconstruction effort in 1665. Monastery has one of the oldest libraries in Europe.

24 Nov 2020

Inferno ~ Cities and Memory


To mark the 700th anniversary of Dante’s masterpiece The Divine Comedy, more than 80 artists from all over the world have created his vision of Hell through sound – this is the Cities and Memory Inferno.

Facing the architecture of darkness, I chose the realm of Phlegethon, or did it chose me? The Phlegethon is the boiling river of blood that comprised the first part of the Seventh Circle of Hell.

“Within this river are those tyrants so aptly punished in a boiling blood.” — Virgil.

Composition Souls on Fire is conceptualized around the realm of darkness deeply seeded in the human soul, which reflects in extreme actions such as murder, tyranny, and violence, and fuels the deepest fears we struggle to comprehend or even only to look at.

19 Nov 2020

Sonic Ontology of Negligence




7 Nov 2020 – 8 Jan 2021
FM exhibition
exhibition of 8-channel sound installation
in-situ FM walks

*

7 Nov 2020 at 12.00 (noon) on FM 88.8 MHz – in-situ FM walk (at Park Tivoli)
10 Nov 2020 at 18.00 p.m. on FM 88.8 MHz – in-situ FM walk (at Park Tivoli)
18 Nov 2020 at 20.00 p.m. on program Ars – radio exhibition opening
Production Zavod Cona, Galerija za zvok, bioakustiko in umetnost / Gallery for sound, bioacoustics and art, Ljubljana, Slovenia.

About conceptualization of work pdf notebook Sonic Ontology of Negligence

Review ~ Radio Student

Polyphonic Echoes ~ Orango


Orango is a multilingual spoken-word and sound art piece composed by Manja Ristić with a poem by Cosmina Moroșan in the frame of POLYPHONIC ECHOES, a project organized by Jumătatea plină for SEMI SILENT. Poetry curatorial by Vasile Leac, sound art and overall curatorial by Anamaria Pravicencu. Partners: Czech Center and the National Museum of Romanian Literature. With the support of the Administration of the National Cultural Fund. 

12 Oct 2020

Strelice >>> Arrows <<< exhibition by Simonida Rajčević

 


exhibition by Simonida Rajčević >>> STRELICE <<< DOB Gallery Belgrade October 13th <<< excerpt from the sound installation made for this occasion is decomposition of the track Blue by R.E.M. feat Patti Smith, with fragments from The Bell Jar by beloved Sylvia Plath.

9 Sept 2020

sonoAdriatic tales ~ ArsElectronica 2020

 

 


the compositional study that I am developing in continuity is shifting through the disciplines of sound & listening, instrumental improv, anthropology, culture of memory, site-specific intervention, phenomenology, neuroscience and beyond.

23 Aug 2020

collection ~ the naked flame trembles in an empty room

 


gentle blend of soundscapes and poetry, sonic textures, dreamlike drones and object improvisation. in the collection - the naked flame trembles in an empty room - I am transcending the context of memory field strained within the stratum of subjective emotional growth, that tackles the question of our strengths and availabilities to comprehend the paradigm shift of a safe space, while burdened with the uncertainty of the galloping recession and menace of the pandemic, caught in the labyrinth of both intimate and collective fears.

August 2020, Korčula island.

11 Aug 2020

ArsElectronica 2020, Adriatic Garden

 



ArsElectronica - In Keplers Gardens - segment Adriatic >>> The program of an on-line platform in making co-curated by Robertina Šebjanič and myself, following the support by Gjino Šutić and Marko Vivoda. Made possible by: UR Institute (HR), PiNA (SI), Ars Electronica (AT). 

With the field recording collection 11 days, we are slowly unraveling the depths of beloved Adriatic complexities, through the acts of listening, compassion and responsible attitudes toward the ecological system that sustains and defines our socio-cultural as well as economic and existential development.

"Invisible chambers of the microenvironments that I am revealing in the field recording collection 11 days are a creative imprint of infrapsychic symbolism, which emerges from subtle morphologies hidden in the palimpsest of memory of the places once heavily exploited in the name of urbanisation and industrial progress, but now recovered and taken over by nature."

Released August 9th, 2020.



3 May 2020

>> slip between them almost >>



Piece commissioned by Soundtent #Reveil2020, Acoustic Commons Project, radio event by
Cona Zavod, Ljubljana.

Fragments of the past – memories, suddenly trapped in an eclectic reality of Belgrade’s curfew, confronted with sonic imprints of the home, anxiety, and restless repetitions; as days go by with the same uncertainty amidst the macabre fluctuations in a hostile society.

Composed April, 17th - 21st, 2020.
www.cona.si/blog/2020/04/21/soundcamp_cona/
Released April 29, 2020

29 Apr 2020

cup for my mother's tears



2 tracks developed during long days of Belgrade's curfew (April 24th -27th, 2020).

DEEP UNDER: the starting point is a hydrophone recording of Nitra river, recorded early May 2019, random fish wobbling, and river flow wrapped in the noise of the nearby traffic. the track is developed with hydrophone recordings of abandoned or artificial aquatic sites, collecting sounds of mosquito larvae, tadpoles, etc. It also includes sounds of underwater noise pollution recorded at the island of Korčula.

USPAVANKA: processed field of treetops, old boiler buzz, small stones thrown in the long hole at the abandoned mega-structure Stožice site (Ljubljana), processed bouncing of rice in the can, fragments of improv on a brass table leg, bass guitar signal, a fragment of bowing cello tailpiece.

16 Apr 2020

Research paper ~ Introduction to sound & listening as psychoenergetic agencies


Research paper on academia.edu produced as a framework for the lecture given in Steklenik gallery for sound, bio-acoustics and art, in Ljubljana, Slovenia, January 2020. Read >>> here <<< 

Short abstract

In this paper, which is a draft for the lecture to be given in January 2020 at “Steklenik,” gallery for sound, bio-acoustics & art, in Ljubljana, Slovenia, I would like to bring fundamental traits of sound & listening in close relation with pivotal physical, physiological and psychological bodily functions. With acknowledging both psychophysical and bioenergy dynamics, my final effort is to highlight the possible role of sound & listening in better comprehension of the overall human experience: of oneself, and the all-pervading environment.