Serbian Pavilion at the Prague Quadrennial of Scene Arts
work inspired by transience of performing act [the body of space placed inside me]Relation between space and performer builds its rudiments in notion of habitation. Erasing physical existence of the performer anticipates the primal nature of live performing, where each movement/act behaves as temporary energy intervention. In the harmony with this foundation gradual disappearing of the performer symbolically represents volatility, where the space it self literally abide existence of physical body but shows dynamics and subsistence of intervention, dissolution and transformative process.
Author : Manja Ristić
Performers: Manja Ristić (violin), Simonida Rajčević (painter), Mathieu Calleja (percussionist)
Costume design: Magdalena Klašnja (costume designer)
Live video editing: Filip Mikić
Live audio mix: Ivan Acović
DP: Milan Tvrdišić
Live performance supervisor: Dorijan Kolundžija
Holographic consoles: Galerija 12, Belgrade
work inspired by transience of performing act [the body of space placed inside me]Relation between space and performer builds its rudiments in notion of habitation. Erasing physical existence of the performer anticipates the primal nature of live performing, where each movement/act behaves as temporary energy intervention. In the harmony with this foundation gradual disappearing of the performer symbolically represents volatility, where the space it self literally abide existence of physical body but shows dynamics and subsistence of intervention, dissolution and transformative process.
Author : Manja Ristić
Performers: Manja Ristić (violin), Simonida Rajčević (painter), Mathieu Calleja (percussionist)
Costume design: Magdalena Klašnja (costume designer)
Live video editing: Filip Mikić
Live audio mix: Ivan Acović
DP: Milan Tvrdišić
Live performance supervisor: Dorijan Kolundžija
Holographic consoles: Galerija 12, Belgrade
