29 Apr 2020

cup for my mother's tears




2 tracks developed during long days of Belgrade's curfew (April 24th -27th, 2020).

DEEP UNDER

the starting point is a hydrophone recording of the Nitra river, recorded in early May 2019, with random fish wobbling, and river flow wrapped in the noise of the nearby traffic. the track is developed with hydrophone recordings of abandoned or artificial aquatic sites, collecting sounds of mosquito larvae, tadpoles, etc. It also includes sounds of underwater noise pollution recorded at the island of Korčula.

USPAVANKA

processed field of treetops, old boiler buzz, small stones thrown in the long hole at the abandoned mega-structure Stožice site (Ljubljana), processed bouncing of rice in the can, fragments of improv on a brass table leg, bass guitar signal, a fragment of bowing cello tailpiece.