9 Apr 2023

Awakenings

 


>>> LINE_138

'Awakenings' is the first album on LINE by violinist, sound artist, poet, curator, and researcher, Manja Ristić. Her work incorporates extensive field recordings, acoustic instruments, and unexpected found objects. 

RIYL: Chris Watson, Félicia Atkinson, Norman W. Long, Simon Whetham and Tomoko Hojo & Rahel Kraft.

awakenings are my ears underwater.
awakenings are sand, pebbles, and rocks pushed by the waves in constant motion.
awakenings emerge from the dissipating whirls.
awakenings are language so mellifluous it out-voices the sizzling currents.
awakenings listen to the space through other spaces.
awakenings are reversed feedbacks of coiled thoughts.
awakenings are worlds of ruthless and bewitched nature.
awakenings are endless topographies surrounded by a body of water in constant motion.
awakenings are where you will find me, talking to the sniffing rocks, growling waves, sleeping vineyard crickets, and plucking trapped air from broken and abandoned instruments.
awakenings are infinity squeezed between atoms.
awakenings are the mind’s nocturnal quirks.
awakenings are silent intrusions into the landscape.
the spherical geometry of the awakenings moves awkwardly, like a transparent velum woven of thin and uneven fabric, coating the fidelity of the bluff recollections.
awakenings are the legacy of withstanding.


TRACKLIST:

1. soft shell (03:05)
2. on the outskirts of time (03:50)
3. dissipating whirls (05:12)
4. within the cave, dreams (04:14)
5. I’m plucking trapped air (07:41)
6. thin and uneven (04:50)
7. in bluff recollections (04:50)
8. coiled thoughts (02:40)

recording locations: Korčula town, abandoned ex-Yugoslav military compound on the island of Korčula, ancient quarry on the island of Vrnik, the village of Račišće, Lumbarda ancient aquatorium, sound pollution of the water traffic in the Pelješac-peninsula channel, Ražnjić lighthouse; a musical playground in front of the Museum of Contemporary Art in Belgrade. instruments used: JrF hydrophone & contact mic; violin, various abandoned pianos, toy synth found in the garbage, various objects.

all sounds recorded, edited, and composed by Manja Ristić
contributing artists on track 8: Mark Vernon, Ivana Grahovac
cover art: Manja Ristić / Richard Chartier
mastering: La Plant Studio, Belgrade